11 ottobre 2016


Copyright in the EU Digital Single Market, Centre for European Policy Studies, Brussels (2013)

EU Digital Copyright Law and the End-User, Springer, Berlin (2008)


Book chapters

‘A Data-Driven Approach to Copyright in the Age of Online Platforms’, Recreating Copyright Law, Redesigning Design Law, Resourcing Trademark Law, and Reinventing Patent Law, D. Gervais(ed), Cheltenham, UK, Edward Elgar (forthcoming 2021)

‘The Role of Market-Driven and Legislative Solutions to Online Music Licensing in Europe’, IP as a Complex Adaptive System: Its Role in the Innovation Society, A.Kamperman Sanders, A. Moerland (eds), Cheltenham , Edward Elgar (forthcoming 2021)

‘The Intersection of EU Media Policy and Copyright: Protecting the Value of Cultural Creation in Television and Online Content Services’, in P.L. Parcu and E. Brogi (eds), Research Handbook on EU Media Law and Policy, Edward Elgar (forthcoming 2020)

‘Allowing Online Content to Cross Borders: is Europe Really Paving the Way for a Digital Single Market?’, in T. Pilhajarinne, J. Vesala and O. Honkkila (eds), New Issues in Online Content Distribution in the EU, Edward Elgar, p. 188-203 (2019)

‘Music Improvisation and Copyright’, in E. Bonadio and N. Lucchi (eds), Non-Conventional Copyright, Edward Elgar, p. 174-200 (2018)

‘Condivisione delle opere creative e collaborazione tra biblioteche: quando e in che misura il fine didattico o scientifico prevale sulla proprietà intellettuale?’, in I. Brancatisano, E. De Carolis, E. Gasbarro and E. Tamburini (eds), Dead or Alive? Le frontiere dei servizi bibliotecari nell’era della condivisione: 15 anni della comunità NILDE, Roma TRE University Press, p. 41-52 (2017)

‘Addressing the Value Gap on User-Generated Content Platforms from the Perspective of Weaker Copyright Holders’, in J. Reda (ed), Better Regulation for Copyright – Academics Meet the Policy Makers, University of Southampton & The Greens/EFA in the European Parliament, p. 31-38 (2017)

‘Cultural diversity and the EU copyright policy and regulation’, in E. Psychogiopoulou (ed), The European Union and cultural diversity, Palgrave Macmillan, p. 91-105 (2015)

‘Managing Online Music Rights in the European Digital Single Market: Current Scenarios and Future Prospects’, in J. Rosen (ed), Intellectual Property at the Crossroads of Trade, Edward Elgar, Cheltenham, pp. 142-163 (2012)

‘Il copyright digitale’, in M. Durante and U. Pagallo (eds), Manuale di informatica giuridica e diritto delle nuove tecnologie, UTET, Torino, pp. 175-199 (2012)

‘Building Digital Commons through Open Access Management of Copyright-Related Rights’, in M. Dulong de Rosnay and J.C. De Martin (eds), The Digital Public Domain: Foundations for an Open Culture, OpenBook Publishers, Cambridge, pp. 81-91 (2012)

‘Building Digital Commons through Open Access Management of Copyright-Related Rights’, in JL Jayanthi Reddy (ed), Intellectual Property and Public Domain, Icfai University Press (IUP), Hyderabad (India), pp. 126-138 (2009)

‘Putting the Public into Public Domain: Rights Management of Sound Recordings Through Creative Commons’, in J. Drexl, L. Boy, C. Godt, R.M. Hilty, and B. Remiche (eds), Technology and Competition – Technologie et Concurrence: Liber Amicorum Hanns Ullrich , Larcier, Brussels, pp. 221-232 (2009)

‘Italy’ (Chapter 25) in C. Long (ed), Global Telecommunications Law and Practice, Sweet and Maxwell, London, pp. 4701-4740 (2009)

‘Tecnologie digitali e diritti culturali: quale ruolo per le biblioteche?’, in A. Maggipinto and G. D’Ammassa (eds), Diritto e tecnologie digitali per la valorizzazione e l’accessibilità delle conoscenze, Atti del Convegno 19-20 ottobre 2007, Nyberg, Milano, pp. 81-88 (2009)

‘DRM e abuso di posizione dominante: il caso iTunes’, in R. Caso (ed), Digital Rights Management: problemi teorici e prospettive applicative, Quaderni giuridici dell’Università di Trento, available in e-book format here, pp. 239-259 (2008)